"A zinging survey of the dazzlingly diverse, thrilling, neglected releases of Gaye Mody Camara, a young Soninke raised in Mali’s Kayes region, who settled in France in 1977. He started out by selling wax, kola nuts, and other items in Paris; and in no time he was distributing cassette tapes, on his way to producing a multitude of recordings for his own label, Camara Production. A fascinating, precious insight into the modern diaspora of an ancient culture, spanning out as Malian zouk, Mauritanian reggae, and a myriad of grooving, head-spinning directions. Prepared in full collaboration with Gaye Camara; with riso-printed notes." - HONEST JON’S
”A way of reliving the Soninké cosmogonies from their beginnings, to their most recent development, stories of prosperity and adventure, of exile and roots, mixed with the sounds of ancient koras or ngoni, just as the digital echoes of synthesizers and vocoders." - DJOLO
“Wagadu Grooves: The Hypnotic Sound of Camara 1987-2016 showcases all the different ways the ancient Soninke sound developed through modern production: the delicate, hypnotic lute set alongside the regular beats of a drum machine and heavily autotuned vocals on opener “Kori,” the synthy reggae of “Yexu,” the endlessly transportive “Koolo Fune,” or the swirling disco of “Tenedo.” All blur the borders between tradition and innovation, and are a tribute to Camara’s efforts to keep Soninke culture alive." - SHFL